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Mandruvá Presents D.R.A.M.A., a Deep Rhythmic Journey on THISBE Recordings

fantasticplasticse
hace 1 día
2 min de lectura

There is a particular kind of electronic music that does not need to chase intensity because it understands that repetition, given enough room, can become intensity in itself. Mandruvá's D.R.A.M.A., released through THISBE Recordings, operates precisely within that space, building its impact through rhythm, texture and gradual immersion rather than obvious peaks.

The project of Brazilian producer Murillo Faleiros, Mandruvá has spent close to a decade developing a sound that sits somewhere between organic percussion, psychedelic electronics and globally informed rhythmic structures. His productions have appeared on labels including Belly Dance Services and PBP Records, establishing a musical identity that feels less concerned with genre boundaries than with the physical and psychological possibilities of the groove.



D.R.A.M.A. distils that approach into two original tracks.


The EP's conceptual starting point is ancient Greek theatre and its connection to Dionysus, the god of festivity, ritual madness and theatre itself. Yet rather than attempting to recreate some imagined antiquity, Mandruvá translates the underlying idea into contemporary club language. The percussion becomes the ritual, the acid elements become the destabilising force and repetition provides the mechanism through which the listener gradually slips into another state.


There is a notable patience to the originals. Rather than introducing every element at once, Mandruvá allows the tracks to develop organically, giving individual rhythmic components enough space to establish their own character. Percussive layers overlap and reinforce each other, while atmospheric details continually alter the track's sense of depth.

The result is hypnotic without becoming static.


That distinction matters. Hypnotic music can easily fall into predictability when repetition becomes an end in itself. Here, however, the subtle changes in texture and emphasis ensure that the tracks remain in motion. A groove may appear settled before another layer shifts its balance; an acid line can introduce a sudden sense of instability before the percussion pulls everything back towards the body.

It is music designed to reward attention without demanding it.


This makes D.R.A.M.A. equally interesting as a club record and as a headphone listen. On the dancefloor, its rhythmic architecture provides a solid physical foundation, while closer listening reveals the smaller details moving around the centre of the mix.

THISBE Recordings feels like a natural destination for the release. The label's interest in unusual rhythmic combinations and music that occupies the space between the familiar and the unexpected provides an appropriate context for Mandruvá's approach.


The EP's second half expands that territory through remixes from Letvink, Poulper & Stylic and Pyrame. Rather than simply extending the running time, these interpretations demonstrate how adaptable Mandruvá's material can be when placed in different hands. Each producer brings a distinct perspective while preserving the release's central relationship with rhythm and atmosphere.


There is something fitting about a record inspired by Dionysian ritual being ultimately concerned with the body. The mythology may provide the framework, but the music provides the actual experience.


You do not need to know the history behind D.R.A.M.A. to understand it.

You only need to follow the rhythm long enough for it to change the room around you.




 
 
 

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